Virtual Library

For over 25 years, Sarah Lichtsztejn-Montard has tirelessly recounted what she endured during the Second World War, especially to young people. How she and her mother escaped from the Vél’ d’Hiv’ on the first night after the round-up on July 16th, 1942, and how they were reported in May 1944, thrusting them into the maelstrom of Nazi torment: Drancy, the hell of Auschwitz-Birkenau and, finally, Bergen-Belsen, where they were liberated on April 15th, 1945. 

Sarah has put her experiences down on paper for those she cares about most, interspersing the account of her life as a wife and mother deeply marked by the Holocaust with the story of her shattered adolescence. This powerful book delivers a universal message of hope and courage.

Voilà plus de vingt-cinq ans que Sarah Montard raconte inlassablement, en particulier aux jeunes, ce qu'elle a vécu durant la Seconde Guerre Mondiale. Comment, avec sa mère, elle s'est évadée du Vél' d'Hiv au premier soir de la rafle, le 16 juillet 1942, comment une dénonciation les précipita en mai 1944 au coeur de la tourmente nazie: à Drancy, dans l'enfer d'Auschwitz-Birkenau puis au camp de Bergen-Belsen où elles seront libérées le 15 avril 1945. Livrant enfin aujourd'hui son témoignage écrit, Sarah a choisi de s'adresser tour à tour aux êtres chers à son coeur, entremêlant le récit de sa vie de femme et de mère profondément marquée par la Shoah, et celui de son adolescence brisée. Ce texte fort délivre un message de courage et d'espoir dont la portée est universelle.

Thousands of naturalized French men and women had their citizenship revoked by the Vichy government during the Second World War. Once denaturalized, these men and women, mostly Jews who were later sent to concentration camps, ceased being French on official records and walked off the pages of history. As a result, we have for decades severely underestimated the number of French Jews murdered by Nazis during the Holocaust. In Denaturalized, Claire Zalc unearths this tragic record and rewrites World War II history.

At its core, this is a detective story. How do we trace a citizen made alien by the law? How do we solve a murder when the body has vanished? Faced with the absence of straightforward evidence, Zalc turned to the original naturalization papers in order to uncover how denaturalization later occurred. She discovered that, in many cases, the very officials who granted citizenship to foreigners before 1940 were the ones who retracted it under Vichy rule.

The idea of citizenship has always existed alongside the threat of its revocation, and this is especially true for those who are naturalized citizens of a modern state. At a time when the status of millions of naturalized citizens in the United States and around the world is under greater scrutiny, Denaturalized turns our attention to the precariousness of the naturalized experience―the darkness that can befall those who suddenly find themselves legally cast out.

In 1988 Patrick Modiano stumbled across an ad between the stock market report and a story of a school visit to Marechal Petain in the personal columns of Paris Soir from December 31, 1941: "We are looking for a young girl, Dora Bruder, 15 years old, five feet tall, round face, gray-brown eyes, gray sportscoat, burgundy pullover, navy blue hat and skirt, brown athletic shoes. Send all information to Mr. and Mrs. Bruder, 41, Boulevard Ornano, Paris."
Placed by the parents of a 15-year-old Jewish girl who had run away from her convent school just before New Year's Eve, this ad set Modiano on a quest to find out everything he could about Dora Bruder and why she ran away from the Catholic boarding school that had been hiding her. He found only one other official mention of her name: on a list of Jews deported from Paris to Auschwitz in September 1942.
With no knowledge of Dora Bruder aside from these two records of disappearances, Modiano continued to dig for fragments from Dora's past. What little he found in official records or through remaining family members, Modiano transforms into a meditation on the immense losses of the period--lost people, lost stories, and lost history. As he tries to find connections to Dora, Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Occupation and the paranoia of the Petain regime. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result is a montage of creative and historical material that unfolds as a moving rumination on loss

A profound, important book, a moving personal detective story and an uncovering of secret pasts, set in Europe's center, the city of bright colors--Lviv, Ukraine, dividing east from west, north from south, in what had been the Austro-Hungarian Empire.

A book that explores the development of the world-changing legal concepts of "genocide" and "crimes against humanity" that came about as a result of the unprecedented atrocities of Hitler's Third Reich.

It is also a spellbinding family memoir, as the author traces the mysterious story of his grandfather as he maneuvered through Europe in the face of Nazi atrocities. This is "a monumental achievement ... told with love, anger and precision" (John le Carré, acclaimed internationally bestselling author).

East West Street looks at the personal and intellectual evolution of the two men who simultaneously originated the ideas of “genocide” and “crimes against humanity,” both of whom, not knowing the other, studied at the same university with the same professors, in a city little known today that was a major cultural center of Europe, “the little Paris of Ukraine,” a city variously called Lemberg, Lwów, Lvov, or Lviv. 

Phillipe Sands changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder.

It seems at first commonplace: a group photograph of peasants at harvest time, after hard work well done, resting contentedly with their tools behind the fruits of their labor. But when one finally notices the "crops" scattered in front of the group, what seemed innocent on first view become horrific skulls and bones. Where are we? Who are the people in the photograph, and what are they doing?

The starting point of Jan Tomasz and Irena Grudzinska Gross's Golden Harvest, this haunting photograph in fact depicts a group of peasants--"diggers"--atop a mountain of ashes at Treblinka, where some 800,000 Jews were gassed and cremated. The diggers are searching for gold and precious stones that Nazi executioners may have overlooked. The story captured in this grainy black-and-white photograph symbolizes the vast, continent-wide plunder of Jewish wealth that went hand-in-hand with the Holocaust.

The seizure of Jewish assets during World War II occasionally generates widespread attention when Swiss banks are challenged to produce lists of dormant accounts, or national museums are forced to return stolen paintings. But the theft of Europe's Jewish population was not limited to conquering armies, leading banks, or museums. It was perpetrated also by local people, such as those pictured in the photograph. Lyrical and often heartbreaking, Golden Harvest takes readers across Europe as it exposes the economic ravaging of an entire society. Beginning with a simple group shot, the authors have written a moving book that evokes the depth and range, as well as the intimacy, of the Final Solution. 

Nazism triumphed in Germany during the high era of Jim Crow laws in the United States. Did the American regime of racial oppression in any way inspire the Nazis? The unsettling answer is yes. In Hitler's American Model, James Whitman presents a detailed investigation of the American impact on the notorious Nuremberg Laws, the centerpiece anti-Jewish legislation of the Nazi regime. Both American citizenship and antimiscegenation laws proved directly relevant to the two principal Nuremberg Laws--the Citizenship Law and the Blood Law. Contrary to those who have insisted otherwise, Whitman demonstrates that the Nazis took a real, sustained, significant, and revealing interest in American race policies. He looks at the ultimate, ugly irony that when Nazis rejected American practices, it was sometimes not because they found them too enlightened but too harsh. Indelibly linking American race laws to the shaping of Nazi policies in Germany, Hitler's American Model upends the understanding of America's influence on racist practices in the wider world.

Prior to Hitler's occupation, nearly 120,000 Jews inhabited the areas that would become the Protectorate of Bohemia and Moravia; by 1945, all but a handful had either escaped or been deported and murdered by the Nazis. This pioneering study gives a definitive account of the Holocaust as it was carried out in the region, detailing the German and Czech policies, including previously overlooked measures such as small-town ghettoization and forced labor, that shaped Jewish life. Drawing on extensive new evidence, Wolf Gruner demonstrates how the persecution of the Jews as well as their reactions and resistance efforts were the result of complex actions by German authorities in Prague and Berlin as well as the Czech government and local authorities.

Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance.
Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.

On the subjects of Vichy France and the Shoah, we thought we knew everything. This book shows that there is still much to discover. Answering a series of key questions, Laurent Joly rereads the history of the persecution of Jews under the Nazi Occupation and dispels many preconceived ideas.

He re-interrogates a number of key questions. For instance, in the summer of 1940, why did Marshal Pétain's regime initiate a politics of antisemitism without Nazi pressure? Why did Pétain agree to collaborate in the massive deportations of Jews throughout France from Paris to the unoccupied zone? To what extent did the Vichy administration collaborate in the genocide of its Jews?

Relying on archival sources, Joly returns agency to French actors from state leaders to policemen, all the while emphasizing the impact of their decisions. In turn, Joly writes a history from the perspectives of perpetrators, victims and witnesses.

Readers learn that the October 1940 antisemitic statute was not simply a codification of a long French antisemitic tradition. Joly argues, to the contrary, that Vichy sought, above all, to imitate the Nazi model. On the subject of the Vélodrome d'Hiver Round-Up, Joly retells the horrors of July 16-17, 1942 from the point of view of the Paris police charged with arresting the Parisian Jews from their homes. Lastly, Joly suggests that historians must further nuance the idea that the persecution of the French Jews became overshadowed in the post-war era by the "Épuration," or legal purge of French collaborators.

In La Disparition, the l’OuLiPo author, Georges Perec writes an entire novel without using the letter “e.” The constraint Perec sets himself is built off the equation whereby the disappearance of the letter “e” equals the disappearance of “eux [them],” referring to his parents who disappeared in Auschwitz. The novel in turn is dedicated to “eux.” La Disparition itself tells the story of Anton Voyl, a man who himself has disappeared and left behind him a trail of mysterious notes.