Virtual Library

Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance.
Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.

On the subjects of Vichy France and the Shoah, we thought we knew everything. This book shows that there is still much to discover. Answering a series of key questions, Laurent Joly rereads the history of the persecution of Jews under the Nazi Occupation and dispels many preconceived ideas.

He re-interrogates a number of key questions. For instance, in the summer of 1940, why did Marshal Pétain's regime initiate a politics of antisemitism without Nazi pressure? Why did Pétain agree to collaborate in the massive deportations of Jews throughout France from Paris to the unoccupied zone? To what extent did the Vichy administration collaborate in the genocide of its Jews?

Relying on archival sources, Joly returns agency to French actors from state leaders to policemen, all the while emphasizing the impact of their decisions. In turn, Joly writes a history from the perspectives of perpetrators, victims and witnesses.

Readers learn that the October 1940 antisemitic statute was not simply a codification of a long French antisemitic tradition. Joly argues, to the contrary, that Vichy sought, above all, to imitate the Nazi model. On the subject of the Vélodrome d'Hiver Round-Up, Joly retells the horrors of July 16-17, 1942 from the point of view of the Paris police charged with arresting the Parisian Jews from their homes. Lastly, Joly suggests that historians must further nuance the idea that the persecution of the French Jews became overshadowed in the post-war era by the "Épuration," or legal purge of French collaborators.

In La Disparition, the l’OuLiPo author, Georges Perec writes an entire novel without using the letter “e.” The constraint Perec sets himself is built off the equation whereby the disappearance of the letter “e” equals the disappearance of “eux [them],” referring to his parents who disappeared in Auschwitz. The novel in turn is dedicated to “eux.” La Disparition itself tells the story of Anton Voyl, a man who himself has disappeared and left behind him a trail of mysterious notes. 

On July 16, 1942, little Annette Muller was nine years old. After having survived the hell that was the Velodrome d’Hiver, she was interned with her mother and younger brother, Michel at Beaune-la-Rolande. She witnessed the terrible fate of the thousands of young Jewish children interned in the Loiret camps who were cruelly separated from their mothers, then sent to Auschwitz -- from which none of them would return.

Annette escaped deportations thanks to her father who succeeded in securing her and her brother’s release from Drancy. She was one of the rare few children to have survived the Velodrome d’Hiver. 

From the Vel d’Hiv to the camps of  Beaune-la-Rolande camp and Drancy to the Lamarck refuge to the Catholic orphanage where she was hidden to the children’s home in Mans, she has never been able to forget. She finally decided to tell her story; she returns the perspective of the child that she was, as if those moments never settled in the past.

Modiano's debut novel is a sardonic, often grotesque satire of France during the Nazi occupation. We are immediately plunged into the hallucinatory imagination of Raphael Schlemilovitch, a young Jewish man, torn between self-aggrandisement and self-loathing, who may be the heir to a Venezuelan fortune, may have lived during the Nazi Occupation, may have rubbed shoulders with the most notorious collaborators and anti-Semites of the time, may even have been the lover of Eva Braun...or he may have been none of these things. But at the centre of this vortex is 'La Place de l'Etoile' - the Place of the Star - which is both the geographical and moral centre of Paris, and that place next to the heart where French Jews were compelled to wear the yellow star, the symbol of their persecution.

This book presents 130 letters written by Jews interned in the Drancy internment camp in the suburbs of Paris between 1941 and 1944. The letters describe the experiences of those interned, their fears, their incomprehension, and their daily routines up until their deportation to the Nazi extermination camps. 

Multidirectional Memory brings together Holocaust studies and postcolonial studies for the first time. Employing a comparative and interdisciplinary approach, the book makes a twofold argument about Holocaust memory in a global age by situating it in the unexpected context of decolonization. On the one hand, it demonstrates how the Holocaust has enabled the articulation of other histories of victimization at the same time that it has been declared "unique" among human-perpetrated horrors. On the other, it uncovers the more surprising and seldom acknowledged fact that public memory of the Holocaust emerged in part thanks to postwar events that seem at first to have little to do with it. In particular, Multidirectional Memory highlights how ongoing processes of decolonization and movements for civil rights in the Caribbean, Africa, Europe, the United States, and elsewhere unexpectedly galvanized memory of the Holocaust.

Rothberg engages with both well-known and non-canonical intellectuals, writers, and filmmakers, including Hannah Arendt, Aimé Césaire, Charlotte Delbo, W.E.B. Du Bois, Marguerite Duras, Michael Haneke, Jean Rouch, and William Gardner Smith.

 One summer day in 1941, half of the Polish town of Jedwabne murdered the other half, 1,600 men, women, and children, all but seven of the town's Jews. "Neighbors" tells their story.

Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. 

French Holocaust survivor, Rachel Jedinak tells the story of how she and her sister escaped the notorious Velodrome d’Hiver round-up in the summer of 1942, evaded subsequent arrests, and ultimately survived the Holocaust in hiding. All the while, the girls were, as Jedinak stresses, “only children.” Jedinak additionally describes her post-war struggles to create memorials for the thousands of murdered Parisian children at their former schools.