Virtual Library

This new translation brings together two of Algerian author Maïssa Bey's important works for the first time in English. Do You Hear in the Mountains... is a compelling piece of autofiction in which three destinies meet dramatically on a train moving through France. We meet an Algerian refugee, whom we recognize as Bey herself. She has escaped the civil war and cannot forget her father's commitment to independence nor his death under the torture of the French soldiers. Sitting near her is a retired doctor whose military service in Algeria coincidentally took him to the same area at the time of that tragedy. Their neighbor is a girl who would like to understand this past that is so painful to discuss. The eleven diverse tales that follow, presented under the title "Under the Jasmin, at Night," exemplify some of Bey's recurring themes--the Franco-Algerian colonial legacy and the feminine condition. Together, these works provide an unforgettable picture of a turbulent history that reaches across generations and continents.

Dedicated to the 600,000 Palestinian men, women, and children who lived in Lebanon from 1948-1983.

This article extends critical trends of citizenship studies and the theory of accumulation by dispossession to articulate how settler colonial citizenship is instantiated through the active accrual of land and resources and how the emerging settler colonial citizenship entrenches both structural subjugation and resistance. The article then examines the reformation of the boundaries of citizenship through indigenous agency. I do so through examining the Palestinian citizens in Israel, specifically centering the Internally Displaced Persons—Palestinians who received Israeli citizenship even as they were displaced from their places of origin. I conclude by asserting citizenship’s double paradox in settler colonial contexts: It regulates certain rights and mobilities but simultaneously entraps the indigenous in a structure in which recursive accumulation is constitutive, thus entrenching dispossession and the further loss of collective rights and other claims.

In current political debates, the term “cosmopolitanism” is often used in quite vague ways, as part of sweeping generalizations that might not hold up to closer scrutiny. Imperfect Cosmopolis aims to clarify the meaning of the term by approaching it from a decidedly historical perspective—distinguishing, for example, between types of cosmopolitanism and the development of the concept through the centuries.

Stirring the Pot of Haitian History is the first-ever translation of Ti dife boule sou istoua Ayiti (1977), the earliest book written by Haitian anthropologist Michel-Rolph Trouillot. Challenging understandings of two centuries of Haitian history, Trouillot analyzes the pivotal role of formerly enslaved Haitian revolutionaries in the Revolution and War of Independence (1791–1804), a generation of people who became the founders of the modern Haitian state and advanced the vibrant culture that flourishes in Haiti. This book confronts Haiti's political culture and the racial mythologizing of historical figures such as Jean-Jacques Dessalines, Toussaint Louverture, Andre Rigaud, and Alexandre Petion. Trouillot examines the socio-economic and political contradictions and inequalities within the French colony of Saint-Domingue, traces the unraveling of the racist class system after 1790, and argues that Vodou and the Haitian Creole language provided the underlying cultural cohesion and resistance that led Haiti to independence.This groundbreaking book blends Marxist criticism with Haiti's rich oral storytelling traditions to provide a playful yet incisive account of Haitian political thought that is rooted in the style and culture of Haitian Creole speakers. Proverbs, wordplay, and songs from popular culture and Vodou religion are interspersed with explorations of complex social and political realities and historical hypotheses; readers are thus drawn into a captivating oral performance. 

In a nation where the Haitian Creole majority language is still marginalized in government and education, Ti dife boule leaps out as a major contribution in the effort to expand Haitian Creole scholarship. Stirring the Pot of Haitian History holds a significant place in the expanding canon of Caribbean literature. The English translation of Trouillot's first book—showing how historical problems continue to reverberate within the contemporary moment—provides readers with a one-of-a-kind Haitian perspective on Haitian revolutionary history and its legacies.This book received Honorable Mentions for both the Modern Languages Association's Lois Roth Award for a Translation of a Literary Work and the Latin American Studies Association's Isis Duarte Book Prize.

The U.S. invasion of Haiti in July 1915 marked the start of a military occupation that lasted for nineteen years—and fed an American fascination with Haiti that flourished even longer. Exploring the cultural dimensions of U.S. contact with Haiti during the occupation and its aftermath, Mary Renda shows that what Americans thought and wrote about Haiti during those years contributed in crucial and unexpected ways to an emerging culture of U.S. imperialism. At the heart of this emerging culture, Renda argues, was American paternalism, which saw Haitians as wards of the United States. She explores the ways in which diverse Americans—including activists, intellectuals, artists, missionaries, marines, and politicians--responded to paternalist constructs, shaping new versions of American culture along the way. Her analysis draws on a rich record of U.S. discourses on Haiti, including the writings of policymakers; the diaries, letters, songs, and memoirs of marines stationed in Haiti; and literary works by such writers as Eugene O'Neill, James Weldon Johnson, Langston Hughes, and Zora Neale Hurston. Pathbreaking and provocative, Taking Haiti illuminates the complex interplay between culture and acts of violence in the making of the American empire.

Charting the intersection of technology and ideology, cultural production and social science, Fatimah Tobing Rony explores early-twentieth-century representations of non-Western indigenous peoples in films ranging from the documentary to the spectacular to the scientific. Turning the gaze of the ethnographic camera back onto itself, bringing the perspective of a third eye to bear on the invention of the primitive other, Rony reveals the collaboration of anthropology and popular culture in Western constructions of race, gender, nation, and empire. Her work demonstrates the significance of these constructions—and, more generally, of ethnographic cinema—for understanding issues of identity.

During the Paris Peace Conference of 1919, while key decisions were debated by the victorious Allied powers, a multitude of smaller nations and colonies held their breath, waiting to see how their fates would be decided. President Woodrow Wilson, in his Fourteen Points, had called for "a free, open-minded, and absolutely impartial adjustment of all colonial claims," giving equal weight would be given to the opinions of the colonized peoples and the colonial powers. Among those nations now paying close attention to Wilson's words and actions were the budding nationalist leaders of four disparate non-Western societies--Egypt, India, China, and Korea. That spring, Wilson's words would help ignite political upheavals in all four of these countries. This book is the first to place the 1919 Revolution in Egypt, the Rowlatt Satyagraha in India, the May Fourth movement in China, and the March First uprising in Korea in the context of a broader "Wilsonian moment" that challenged the existing international order. Using primary source material from America, Europe, and Asia, historian Erez Manela tells the story of how emerging nationalist movements appropriated Wilsonian language and adapted it to their own local culture and politics as they launched into action on the international stage. The rapid disintegration of the Wilsonian promise left a legacy of disillusionment and facilitated the spread of revisionist ideologies and movements in these societies; future leaders of Third World liberation movements--Mao Zedong, Ho Chi Minh, and Jawaharlal Nehru, among others--were profoundly shaped by their experiences at the time. The importance of the Paris Peace Conference and Wilson's influence on international affairs far from the battlefields of Europe cannot be underestimated. Now, for the first time, we can clearly see just how the events played out at Versailles sparked a wave of nationalism that is still resonating globally today.

In this essay, Mohanty argues that Western feminist scholarship has reduced all women of the third world into a single, collective other. She critiques the approach to feminism and third-world women, arguing for more nuanced scholarship from Western scholars.

In this major reassessment of Japanese imperialism in Asia, Mark Driscoll foregrounds the role of human life and labor. Drawing on subaltern postcolonial studies and Marxism, he directs critical attention to the peripheries, where figures including Chinese coolies, Japanese pimps, trafficked Japanese women, and Korean tenant farmers supplied the vital energy that drove Japan's empire. He identifies three phases of Japan's capitalist expansion, each powered by distinct modes of capturing and expropriating life and labor: biopolitics (1895–1914), neuropolitics (1920–32), and necropolitics (1935-45). During the first phase, Japanese elites harnessed the labor of marginalized subjects as Japan colonized Taiwan, Korea, and south Manchuria, and sent hustlers and sex workers into China to expand its market hegemony. Linking the deformed bodies laboring in the peripheries with the "erotic-grotesque" media in the metropole, Driscoll centers the second phase on commercial sexology, pornography, and detective stories in Tokyo to argue that by 1930, capitalism had colonized all aspects of human life: not just labor practices but also consumersism, attention and leisure time. Focusing on Japan's Manchukuo colony in the third phase, he shows what happens to the central figures of biopolitics as they are subsumed under necropolitical capitalism: coolies become forced laborers, pimps turn into state officials and authorized narcotraffickers, and sex workers become "comfort women". Driscoll concludes by discussing Chinese fiction written inside Manchukuo, describing the everyday violence unleashed by necropolitics.