Virtual Library

Kiernan examines outbreaks of mass violence from the classical era to the present, focusing on worldwide colonial exterminations and twentieth-century case studies including the Armenian genocide, the Nazi Holocaust, Stalin's mass murders, and the Cambodian and Rwandan genocides. He identifies connections, patterns, and features that in nearly every case gave early warning of the catastrophe to come: racism or religious prejudice, territorial expansionism, and cults of antiquity and agrarianism. The ideologies that have motivated perpetrators of mass killings in the past persist in our new century, says Kiernan. He urges that we heed the rich historical evidence with its telltale signs for predicting and preventing future genocides. 

Creating the Witness examines the role of film and the Internet in creating virtual witnesses to genocide over the past one hundred years. Leshu Torchin’s broad survey of media and the social practices around it investigates the development of popular understandings of genocide to achieve recognition and response, ultimately calling on viewers to act on behalf of human rights.

When it was first published in 1999, Crimes Against Humanity called for a radical shift from diplomacy to justice in international affairs. In vivid, non-legalese prose, leading human rights lawyer Geoffrey Robertson made a riveting case for holding political and military leaders accountable in international courts for genocide, torture, and mass murder.

Since then, fearsome figures such as Charles Taylor, Laurent Gbagbo, and Ratko Mladic have been tried in international criminal court, and a global movement has rallied around the human rights framework of justice. Any such legal framework requires constant evolution in order to stay relevant, and this newly revised and expanded volume brings the conversation up to date. In substantial new chapters, Robertson covers the protection of war correspondents, the problem of piracy, crimes against humanity in Syria, nuclear armament in Iran, and other challenges we are grappling with today. He criticizes the Obama administration's policies around "targeted killing" and the trials of Khalid Sheik Mohammed and other "high value" detainees. By rendering a complex debate accessible, Robertson once again provides an essential guide for anyone looking to understand human rights and how to work toward a more complete blueprint for justice.

The mass graves from our long human history of genocide, massacres, and violent conflict form an underground map of atrocity that stretches across the planet's surface. In the past few decades, due to rapidly developing technologies and a powerful global human rights movement, the scientific study of those graves has become a standard facet of post-conflict international assistance. Digging for the Disappeared provides readers with a window into this growing but little-understood form of human rights work, including the dangers and sometimes unexpected complications that arise as evidence is gathered and the dead are named.

Adam Rosenblatt examines the ethical, political, and historical foundations of the rapidly growing field of forensic investigation, from the graves of the "disappeared" in Latin America to genocides in Rwanda and the former Yugoslavia to post–Saddam Hussein Iraq. In the process, he illustrates how forensic teams strive to balance the needs of war crimes tribunals, transitional governments, and the families of the missing in post-conflict nations. Digging for the Disappeared draws on interviews with key players in the field to present a new way to analyze and value the work forensic experts do at mass graves, shifting the discussion from an exclusive focus on the rights of the living to a rigorous analysis of the care of the dead. Rosenblatt tackles these heady, hard topics in order to extend human rights scholarship into the realm of the dead and the limited but powerful forms of repair available for victims of atrocity.

A profound and profoundly important book—a moving personal detective story, an uncovering of secret pasts, and a book that explores the creation and development of world-changing legal concepts that came about as a result of the unprecedented atrocities of Hitler’s Third Reich.

East West Street looks at the personal and intellectual evolution of the two men who simultaneously originated the ideas of “genocide” and “crimes against humanity,” both of whom, not knowing the other, studied at the same university with the same professors, in a city little known today that was a major cultural center of Europe, “the little Paris of Ukraine,” a city variously called Lemberg, Lwów, Lvov, or Lviv. It is also a spellbinding family memoir, as the author traces the mysterious story of his grandfather, as he maneuvered through Europe in the face of Nazi atrocities.

East West Street is a book that changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder.

It seems at first commonplace: a group photograph of peasants at harvest time, after hard work well done, resting contentedly with their tools behind the fruits of their labor. But when one finally notices the "crops" scattered in front of the group, what seemed innocent on first view become horrific skulls and bones. Where are we? Who are the people in the photograph, and what are they doing?

The starting point of Jan Tomasz and Irena Grudzinska Gross's Golden Harvest, this haunting photograph in fact depicts a group of peasants--"diggers"--atop a mountain of ashes at Treblinka, where some 800,000 Jews were gassed and cremated. The diggers are searching for gold and precious stones that Nazi executioners may have overlooked. The story captured in this grainy black-and-white photograph symbolizes the vast, continent-wide plunder of Jewish wealth that went hand-in-hand with the Holocaust.

The seizure of Jewish assets during World War II occasionally generates widespread attention when Swiss banks are challenged to produce lists of dormant accounts, or national museums are forced to return stolen paintings. But the theft of Europe's Jewish population was not limited to conquering armies, leading banks, or museums. It was perpetrated also by local people, such as those pictured in the photograph. Lyrical and often heartbreaking, Golden Harvest takes readers across Europe as it exposes the economic ravaging of an entire society. Beginning with a simple group shot, the authors have written a moving book that evokes the depth and range, as well as the intimacy, of the Final Solution. 

«Cette femme aux pieds nus qui donne le titre à mon livre, c'est ma mère, Stefania. Lorsque nous étions enfants, au Rwanda, mes sœurs et moi, maman nous répétait souvent : "Quand je mourrai, surtout recouvrez mon corps avec mon pagne, personne ne doit voir le corps d'une mère." Ma mère a été assassinée, comme tous les Tutsi de Nyamata, en avril 1994 ; je n'ai pu recouvrir son corps, ses restes ont disparu. Ce livre est le linceul dont je n'ai pu parer ma mère. C'est aussi le bonheur déchirant de la faire revivre, elle qui, jusqu'au bout traquée, voulut nous sauver en déjouant pour nous la sanglante terreur du quotidien. C'est, au seuil de l'horrible génocide, son histoire, c'est notre histoire.»

This book presents 130 letters written by Jews interned in the Drancy internment camp in the suburbs of Paris between 1941 and 1944. The letters describe the experiences of those interned, their fears, their incomprehension, and their daily routines up until their deportation to the Nazi extermination camps. 

In The Black Shoals, Tiffany Lethabo King uses the shoal--an offshore geologic formation that is neither land nor sea--as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.

It is 1937, the Dominican side of the Haitian border. Amabelle, orphaned at the age of eight when her parents drowned, is a maid to the young wife of an army colonel. She has grown up in this household, a faithful servant. Sebastien is a field hand, an itinerant sugarcane cutter. They are Haitians, useful to the Dominicans but not really welcome. There are rumors that in other towns Haitians are being persecuted, even killed. But there are always rumors. Amabelle loves Sebastien. He is handsome despite the sugarcane scars on his face, his calloused hands. She longs to become his wife and walk into their future. Instead, terror enfolds them. But the story does not end here: it begins. "The Farming of Bones" is about love, fragility, barbarity, dignity, remembrance, and the only triumph possible for the persecuted: to endure.