Virtual Library

On December 1, 1955, in Montgomery, Alabama, Mrs. Rosa Parks, weary after a long day at work, refused to give up her bus seat to a white man...and ignited the explosion that was the civil rights movement in America. In this powerful saga, Morris tells the complete story behind the ten years that transformed America, tracing the essential role of the black community organizations that was the real power behind the civil rights movement. Drawing on interviews with more than fifty key leaders, original documents, and other moving firsthand material, he brings to life the people behind the scenes who led the fight to end segregation, providing a critical new understanding of the dynamics of social change.

How and why do movements transition from everyday resistance to overt collective action? This article examines this question taking repressive environments and threat as an important case in point. Drawing on primary and secondary data sources, I offer comparative insights on resistance group dynamics and perceptions of threat in three Nazi death camps—Sobibór, Treblinka, and Auschwitz—between 1941 and 1945. Prisoners formed resistance groups at each camp, but collective revolt occurred in only certain cases: when the collective perception of threat at a given camp was viewed as both immediate and lethal. The interpretation of changing, threatening conditions, and an understanding of structural and interactional opportunities for group identity and tactical strategizing, are vital for understanding collective action in repressive environments. I conclude by discussing these lessons pertaining to threat and their implications for repressive contexts and broader social movement theorizing.

This paper addresses how New York City's workfare program has structured opportunities for collective action by welfare recipients. As workfare blurs the distinction between wage workers and welfare recipients, it calls into question accepted understandings of the rights and obligations of welfare recipients and fosters new claims on the state. The concept of “cultural opportunity structures” can help to explain the political mobilization of workfare participants if it is linked to a Durkheimian tradition of cultural analysis attentive to symbolic classification. The dramaturgic approach to culture exemplified in the work of Erving Goffman can usefully complement this structural approach if a narrow focus on frames and framing processes is broadened to include interaction rituals and ceremonial profanation.

Across Latin America, the 1990s saw an increase in popular lynchings of suspected criminals at the hands of large crowds. Although it is often assumed that these incidents involve random, regrettable, and relatively spontaneous acts of violence or throwbacks to the past, I argue in this article that these represent purposeful, powerful, and deeply political acts. Most literature on the region tends to regard contemporary violence as a predominantly “top-down” phenomenon—by state against citizen, landowner against peasant, mestizo against Indian—yet these incidents reveal a new sort of violence that originates at the bottom. I argue that the lynchings suggest an attempt by embattled communities to reassert their autonomy after decades of repeated assault by state armies, local elites, the globalized economy, and other adversaries. By enacting these highly ritualized, unequivocally public displays of “justice,” marginalized communities seek not only to punish and to deter criminal activity, but perhaps more importantly, to reassert themselves collectively as agents rather than victims. In this way, lynchings may reveal a dark side of what passes for “democracy” in the region.

While transitions to democracy have been hailed as the most important phenomena of this century, few scholars understand the role that women have played in these metamorphoses. This article uses an historical in-depth case study to examine how and why women mobilized against the state in Chile. Previous social movement theories have not attended adequately to cultural and ideational elements (e.g., gender ideology), much less these factors in the Third World and authoritarian context. In contrast, the present study modifies and extends the concepts of political opportunity structure and collective action frames, suggesting that the manner in which ideology and cultural themes are framed may provide opportunities for protest, especially in the authoritarian context. Specifically, the rise and fall of broader mobilizational frames or master frames shapes how movement-specific frames compete, decay, and transform, as some master frames create space for certain ideas (e.g., feminism) while others do not. New hypotheses regarding the use of collective action frames in a nondemocratic setting are offered.