Virtual Library

Drawing on Austin’s speech act theory and on related theories of performativity and positioning, this article analyses the public confessions during the 1990s by three prominent state actors in Turkey about their direct involvement in state crimes against Kurds and left-wing political opponents. All three cases received significant media attention at the time. The aim of the article is not only to shed new light on those specific confessions by the perpetrators within the Turkish context, but also to develop further theoretical insights into the phenomenon of public confessions as such. Whilst confessions of this kind are often welcomed and portrayed as truth-statements that are cathartic and enable society to move forward, this analysis demonstrates that the reality is often more complex as the confessions in question tend to go hand in hand with a disavowal of individual responsibility by the perpetrators involved.

Since independence in 1956, large numbers of Moroccans have been forcibly disappeared, tortured, and imprisoned. Morocco's uncovering and acknowledging of these past human rights abuses are complicated and revealing processes. A community of human rights activists, many of them survivors of human rights violations, are attempting to reconstruct the past and explain what truly happened.

What are the difficulties in presenting any event whose central content is individual pain when any corroborating police or governmental documentation is denied or absent? Susan Slyomovics argues that funerals, eulogies, mock trials, vigils and sit-ins, public testimony and witnessing, storytelling and poetry recitals are performances of human rights and strategies for opening public space in Morocco.

The Performance of Human Rights in Morocco is a unique distillation of politics, anthropology, and performance studies, offering both a clear picture of the present state of human rights and a vision of a possible future for public protest and dissidence in Morocco.