Philosophy

The way in which mainstream human rights discourse speaks of such evils as the Holocaust, slavery, or apartheid puts them solidly in the past. Its elaborate techniques of "transitional" justice encourage future generations to move forward by creating a false assumption of closure, enabling those who are guilty to elude responsibility. This approach to history, common to late-twentieth-century humanitarianism, doesn't presuppose that evil ends when justice begins. Rather, it assumes that a time before justice is the moment to put evil in the past.

The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion.

French philosopher, Sarah Kofman only inherited one object from her father, Rabbi Bereck Kofman, who was murdered in Auschwitz in 1943. This pen “obliges me to write” her experiences in the Holocaust. Kofman describes the events of July 16-17, 1942 when her father was taken, her difficulties separating from her mother to go into hiding, and her relationship with her adoptive mother, Mémé, and disavowal of her Judaism at the rue Labat. Kofman committed suicide soon after completing the book.   

She was, Hannah Arendt wrote, "my closest friend, though she has been dead for some hundred years." Born in Berlin in 1771 as the daughter of a Jewish merchant, Rahel Varnhagen would come to host one of the most prominent salons of the late eighteenth and early nineteenth centuries. Arendt discovered her writings some time in the mid-1920s, and soon began to reimagine Rahel's inner life and write her biography. Long unavailable and never before published as Arendt intended, Rahel Varnhagen: The Life of a Jewess returns to print in an extraordinary new edition.

Modern history is haunted by the disasters of the century--world wars, concentration camps, Hiroshima, and the Holocaust--grief, anger, terror, and loss beyond words, but still close, still impending. How can we write or think about disaster when by its very nature it defies speech and compels silence, burns books and shatters meaning? The Writing of the Disaster reflects upon efforts to abide in disaster's infinite threat. First published in French in 1980, it takes up the most serious tasks of writing: to describe, explain, and redeem when possible, and to admit what is not possible.

An analysis of the nature, causes, and significance of violence in the second half of the twentieth century. Arendt also re-examines the relationship between war, politics, violence, and power.