Media Studies

After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she’d never really known. Sala Glass was a European expat in America – defiantly clinging to her French influences, famously reserved, fashionable to the end – yet to Hadley much of her life remained a mystery. Sala’s experience of surviving one of the most tumultuous periods in modern history was never spoken about.

In 1943, Fania Fénelon was a Paris cabaret singer, a secret member of the Resistance, and a Jew. Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of “the orchestra girls”; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.

Prisoner Without a Name, Cell Without a Number is a non-fiction memoir published in 1981 by the Soviet-born Argentine author Jacobo Timerman. At two in the morning of April 15, 1977, twenty armed men in civilian clothes arrested Jacobo Timerman, editor and publisher of leading Buenos Aires newspaper, La Opinión. Thus began thirty months of imprisonment, interrogation, and torture. Unlike 15,000 other Argentines, 'the disappeared,' Timerman was eventually released into exile.

Directed by Joshua Oppenheimer, The Act of Killing is a journey into the memories and imaginations of perpetrators, offering insight into the minds of mass killers. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike aging Nazis or Rwandan génocidaires, they have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries.

On racial violence. 

After nearly two weeks of national unrest, Claudia Rankine reflects on the reality of repetition in the systems of institutionalized racism.

In this gorgeous, page-turning saga, four generations of a poor Korean immigrant family fight to control their destiny in 20th-century Japan, exiled from a home they never knew.

October 1944, Auschwitz-Birkenau, Saul (Géza Röhrig) is a Hungarian member of the Sonderkommando, the group of Jewish prisoners forced to assist the Nazis. While working, Saul discovers the body of a boy he takes for his son. As the Sonderkommando plans a rebellion, Saul decides to carry out an impossible task: save the child's body, find a rabbi to recite the mourner's Kaddish and offer the boy a proper burial.

No one at Camp Jened could’ve imagined that those summers in the woods together would be the beginnings of a revolution. 

Following riots in Gujarat, Arati experiences guilt when she did not open her door to shelter an injured Muslim woman. Her husband, Sanjay, had looted merchandise from shops, and his brother, Devan, had even sexually molested Muslim women. A young lad, Mohsin, leaves the safety of an army-guarded camp to look for his father. Meanwhile a music maestro, Jahangir Khan, faces isolation. Sameer Shaikh and his Hindu wife, Anuradha, decide to re-locate to Delhi.

Can a modern democracy impose a prolonged military occupation on another people while retaining its core democratic values?

Since Israel conquered the territories of the West Bank and Gaza Strip in the 1967 war, the military has imposed thousands of orders and laws, established military courts, sentenced hundreds of thousands of Palestinians, enabled half a million Israeli "settlers" to move to the Occupied Territories and developed a system of long-term jurisdiction by an occupying army that is unique in the entire world.