Media Studies

After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she’d never really known. Sala Glass was a European expat in America – defiantly clinging to her French influences, famously reserved, fashionable to the end – yet to Hadley much of her life remained a mystery. Sala’s experience of surviving one of the most tumultuous periods in modern history was never spoken about.

In 1943, Fania Fénelon was a Paris cabaret singer, a secret member of the Resistance, and a Jew. Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of “the orchestra girls”; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.

Kim Yong shares his harrowing account of life in a labor camp--a singularly despairing form of torture carried out by the secret state. Although it is known that gulags exist in North Korea, little information is available about their organization and conduct, for prisoners rarely escape both incarceration and the country alive. Long Road Home shares the remarkable story of one such survivor, a former military official who spent six years in a gulag and experienced firsthand the brutality of an unconscionable regime.

Prisoner Without a Name, Cell Without a Number is a non-fiction memoir published in 1981 by the Soviet-born Argentine author Jacobo Timerman. At two in the morning of April 15, 1977, twenty armed men in civilian clothes arrested Jacobo Timerman, editor and publisher of leading Buenos Aires newspaper, La Opinión. Thus began thirty months of imprisonment, interrogation, and torture. Unlike 15,000 other Argentines, 'the disappeared,' Timerman was eventually released into exile.

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

Directed by Joshua Oppenheimer, The Act of Killing is a journey into the memories and imaginations of perpetrators, offering insight into the minds of mass killers. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike aging Nazis or Rwandan génocidaires, they have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries.

Over a decade in the making, Claude Lanzmann’s nine-hour-plus opus is a monumental investigation of the unthinkable: the murder of more than six million Jews by the Nazis. Using no archival footage, Lanzmann instead focuses on first-person testimonies (of survivors and former Nazis, as well as other witnesses), employing a circular, free-associative method in assembling them.

What is the reality of policing in the United States? Do the police keep anyone safe and secure other than the very wealthy? How do recent police killings of young black people in the United States fit into the historical and global context of anti-blackness?